My Uncle Chained The Kitchen Doors Before The Sugar Could Cool
Part 1 · 3 min read ·
The chain hit the glass while I was pulling lemon taffy.
I heard it over the fan, over the pot lid, over the soft slap of candy against the hook. Three clear knocks meant the batch was ready to cut. A wet thud meant keep pulling.
That morning, I heard two knocks and a thud.
Then my uncle locked me inside.
"Back door, Lama," he called through the glass. "Come around. We need to settle this."
I killed the burner and set the candy on its tray. Outside, a gull dragged a paper cup down our Asbury Park block. The ocean was only a few streets away, but all I could smell was hot sugar.
I was thirty-four, with olive skin, wide brown eyes, and black curls I kept tied under a white kitchen scarf.
My name was Lama Aoun. I was a Lebanese American confectioner, which meant I cooked sugar, pulled it full of air, and knew a bad batch by its sound. My uncle called that being a seasonal candy puller.
He had used those words at my mother's burial, eleven days earlier.
I left through the alley. Basil stood at the front door with a fresh padlock and a folder against his chest.
Basil was sixty-three, with a broad belly, silver hair brushed straight back, and thick gold-framed glasses.
He was my mother's older brother, Lebanese American like us, and he could make an order sound like an invitation to dinner.
"A family favor," he said. "Let me handle the property. You can take your tools on Sunday."
"I have a pickup at noon. Four hundred seventy-four dollars."
"Then refund it."
"You chained my front exit while I was working."
"Don't make an ugly thing out of help."
Above us, the upstairs windows held their usual gray curtains. My mother had closed that apartment after a pipe burst years before. Basil had handled the repairs. He said it still wasn't fit for anyone.
He held out a sheet headed BUILDING TRANSFER AND FAMILY SETTLEMENT.
There was my mother's name, Dalia Aoun, in a shaky line near the bottom.
"She signed it in February," he said. "The building goes to me. You get the candy equipment. Fair to everyone."
"Where was this signed?"
"At her table. Don't start picking at details."
I looked at the blank space beside the word Witness.
"Who prepared it?"
"I did. Lawyers charge for plain English."
He tapped a second page, an estate asset list. The building had been entered as his property in blue pen. My mother had named me executor in her will. I had not filed the inventory yet.
"You put that in her estate folder," I said.
"Where else should it go?"
I took pictures of both pages. He let me. He thought photographs were what people took when they had no power left.
"You'll get summer work," he said. "You always have."
I had kept the kitchen open through six winters. I had shipped peppermint taffy while sleet rattled the awning. The ledger in my apron held orders through December.
"Give me a key."
"Sunday. Bring boxes."
He spread his arms, as if he had offered to carry them.
I went back through the alley and fetched my bag. I photographed the shutoff switches and the cooling trays. Then I left through the back and called the fire office from the sidewalk.
An inspector came before Basil finished his coffee. He ordered the chain removed from an exit used by workers. Basil called it a small misunderstanding. The inspector wrote it down anyway.
I did not go back to pulling candy. My hands shook too much.
At home, my mother's file box sat beside the kitchen table. I had been sorting death certificates, bills, and cards that said she was in a better place.
Under an envelope of old tax receipts, I found a blue folder.
PROPERTY, she had written. LAMA'S COPY.
I remembered signing something at a lawyer's office nine years before. My mother had worn her good green coat. She had told me, "This is how a building stays with the person who works in it."
I had kept the copy she gave me. Then there had been a broken mixer, a rush order, a winter gas bill. I had put it away.
Inside was a deed with a county stamp and two phrases I did not trust myself to read correctly: life estate and remainder interest.
I called the title office printed on the old closing receipt.
"Winnie Chen," a woman answered.
I told her about the chain. Then I read her the stamp number.
"Send me that sheet your uncle showed you," she said. "And your deed."
An hour later, her email arrived.
"Do not sign his settlement," it read. "I found the recorded original."